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Maud Jégard (France)

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Maud Jégard discovered drama with members of Théâtre National de Bretagne / Rennes while working on her literature baccalaureate with a specialty in drama, in Rennes. She started working in street art during the 2000s, and has acted in a number of projects (Frankenstein and Boîtes de rue by La Fanfare Jo Bithume - 20 ans les retrouvailles, Doña Flor y sus amores by NCNC-Film/Prisca Villa) and directed others (L’Erotik by Nejma Collectif, Prince à dénuder by Ocus, Hop by Fracasse de Douze, etc.). Since 2012, she has been working with Bouèb in the collective Les grands moyens (Grève du crime, Abri voyageur, etc.). They started working together on a project called Au bout de fil, which she later finalised with FAI-AR Formation supérieure d'art en espace public under the title Follow me.

La Paperie,Centre National des Arts de la Rue

France (FR)

Centre National des Arts de la Rue

Member of IN SITU between 2006 and 2019

Outside any consensus, La Paperie is a place of experimentation and clearing with regard to arts and public space. This assumption po-sitions itself in the spheres of both production and dissemination for which we prefer the term infusion*.

As the journey is more important than the destination, the question more important than the answer, we are currently exploring:

  • Taking the time to contextualise the work with its environment
  • Taking the time to bring artist, inhabitant and operator togetherInitiating a work written by their 6 hands
  • Subverting artistic actions to make the citizen a political actor
  • Allowing culture to open debate
  • Favouring the intimate over the spectacular.


*Infusion, from the verb “to infuse”: to bring two elements together for a time so that one interacts with the other.

Director: Eric Aubry